newmiu:

the first look from the very first oscar de la renta show and the last look from ss15. rest in peace mr. de la renta, you will be missed…

(via pousseywashington)

spyderqueen:

misandrwitch:

Hands up if large groups of aggressively loud white boys in your vicinity freak you out

One of the things that bonds women, POC, and LGBTQA+ together: The fear of white men in numbers.

(via gleefulghost)

divalocity:

HARPER’S BAZAAR’S 2014 WOMEN WHO DARE: 

MO’NE DAVIS

The girl who’s a big-league baller.

Photos: Albert Watson

(via britta-saurus)

misandry-mermaid:

stfueverything:

dbvictoria:

With all the heat Anita Sarkeesian gets for her Tropes series, you’d think it was a new topic, but Gene Siskel & Roger Ebert had a discussion on a similar theme when they were talking about the influx of slasher movies on their show in 1980.

(x)

34 years later and this is STILL relevant

RIP to both of these great men.

(via ink-phoenix)

bloodydeath11:

gongchantv:

do you ever see spoilers for a show you don’t watch anymore and just 

image

(via fuckestuppest)

chryolain:

I need absolutely no context

chryolain:

I need absolutely no context

(via onecuriousb)

I said, “The only way I can play someone this hard is for something to be peeled away each week, and the first thing that needs to go is the wig.” I just wanted to deal with her hair. It’s a big thing with African-American women…You start when you’re just a young girl. Do you twist it? Do you leave it natural when it’s so hard to take care of? Then you start wearing wigs but every night before bed you’ve got to take the wig off and deal with your hair underneath. And it’s a part of Annalise that I needed the writers to deal with because I’ve never seen it, ever, on TV and I thought it would be very powerful. It’s part of her mask. - Viola Davis (x)

(via tanyak312)